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	<title>++ ukchill.com ++ &#187; 4AM</title>
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		<title>Curing writers block by switching styles</title>
		<link>http://ukchill.com/music/curing-writers-block-by-switching-styles/</link>
		<comments>http://ukchill.com/music/curing-writers-block-by-switching-styles/#comments</comments>
		<pubDate>Sun, 10 Jan 2010 10:23:23 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[4AM]]></category>
		<category><![CDATA[acid jazz]]></category>

		<guid isPermaLink="false">http://ukchill.com/?p=102</guid>
		<description><![CDATA[Probably the best advice I can give any musicians who have fallen into the writing block trap is to temporarily switch styles &#8211; try a new genre of music, preferably one you wouldn&#8217;t normally listen to. Spend a few evenings immersing yourself in it (youtube is great for this). The 4AM set (with Dave Carson [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_104" class="wp-caption alignleft" style="width: 310px"><a href="http://www.sugarmamauk.com/"><img class="size-medium wp-image-104" title="Dave Carson" src="http://ukchill.com/wp-content/uploads/2010/01/dave-carson-no-fan-300x288.jpg" alt="Dave Carson" width="300" height="288" /></a><p class="wp-caption-text">Dave Carson</p></div>
<p>Probably the best advice I can give any musicians who have fallen into the writing block trap is to temporarily switch styles &#8211; try a new genre of music, preferably one you wouldn&#8217;t normally listen to. Spend a few evenings immersing yourself in it (youtube is great for this).</p>
<p>The 4AM set (with Dave Carson on Guitar and Richard Woodling on sax) is so far out of rock territory that it allows me to experiment and try things that I would normally never put into my progressive tracks.</p>
<p>All we are trying to do is create chilled music with a latin/jazz flavour &#8211; I can bring in all sorts of influences from Weather Report to Portishead without worrying if it&#8217;s &#8220;cool&#8221; or &#8220;cliché&#8221;. In fact some cliché helps, because it makes the music more accessible. Using a couple of sampled loops as the basis for a jam is allowing us to work really quickly. I&#8217;m just recording these sessions in Ableton Live (leaving it recording) and then pulling out interesting melodic fragments afterwards to construct new tunes.</p>
<p>After the session, I can replace the sample loops with my own parts, we then learn the &#8220;found&#8221; tunes to complete the tracks! An interesting way to work, and one that is proving quite successful in producing quite a bit of new material.</p>
<p>Anyway &#8211; today&#8217;s track, &#8220;Down Town&#8221; (part of the 4AM set).</p>
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		<title>Smoking Room &#8211; Acid Jazz</title>
		<link>http://ukchill.com/music/smoking-room-acid-jazz/</link>
		<comments>http://ukchill.com/music/smoking-room-acid-jazz/#comments</comments>
		<pubDate>Tue, 29 Dec 2009 10:54:46 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[4AM]]></category>
		<category><![CDATA[acid jazz]]></category>
		<category><![CDATA[chillout]]></category>
		<category><![CDATA[sax]]></category>

		<guid isPermaLink="false">http://ukchill.com/?p=91</guid>
		<description><![CDATA[Part of the new 4AM set. This one features Richard Woodling on sax.]]></description>
			<content:encoded><![CDATA[<p>Part of the new 4AM set.</p>
<p>This one features <a title="Mosaic Jazz" href="http://www.mosaic-jazz.com/">Richard Woodling</a> on sax.</p>
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